top of page

A conceptual framework that engages the viewer with the ambiguous idea of the future and how technology will infiltrate the fabric of our lives. In particular, how technology is going to affect the way in which we identify and perceive the self, and the extent to which it is going to reshape mental health. Specifically, how man-made devices of high complexity can improve users' quality of life. Here, ART strives to be the common language, tending to bring the anonymous worlds together and help the layman to understand. 

ArtTech


"land(e)scape" explores the intricate interplay between the seemingly contradictory concepts of "land" and "escape," challenging perceptions of space, belonging, and known values. While "land" evokes stability and identity, "escape" signifies a yearning to transcend boundaries. By merging these ideas, the artist creates a dynamic tension that prompts reflection on our relationships with both external landscapes and internal desires. Through organic textures and abstract forms, the work embodies this duality, encouraging contemplation of how we are shaped by our surroundings while longing for change. In doing so, it  opens a dialogue about transformation and renewal, particularly in light of contemporary geopolitical developments that are beyond our control.

Land(e)scape

AKT

AKT series -The work edges between visual and performing arts .Inspired by "The Kiss" by Rodin,  contents such as artist/model, observation/compassion are created. The artists portray the kiss as a changeable phenomenon, while in an evolving performance models explore  movement sequences and challenge the artistic process of creating an artwork

{{RAW}}

All that bothers me the most. It can not be what i create as it is evil. I collect and repaint. I recreate and find short cuts in our contemporary way of finding justice.

POLY CLAYWOOD

The twisted reality being overrated with the seriousness of material

FROM ABOVE

When the lines disappear, values become arbitrary and relative. Colours and shapes become loose and free. Boundaries can be forgotten and memories seem to be a familiar feeling of the past. The works in this series look at the world from a perspective of purity, where borders and boundaries of any kind are worthless. 

TRANSITION

somewhere between the shapes and shades. 

I once studied black lines without the need for colors. To me, black lines were essential for creating form, and without them, an image would not exist. Over time, it became apparent to me that there might be an alternative reality. 

BEFORE CONCEPTS LIKED COLORS

bottom of page